Jumat, 31 Mei 2013

[U539.Ebook] Ebook Download The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik (Film and Culture Series), by Christopher Pavsek

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The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik (Film and Culture Series), by Christopher Pavsek

The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ability to bring about what Theodor W. Adorno once called a "redeemed world." Situating the films of Godard, Tahimik, and Kluge within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action, Christopher Pavsek showcases the strengths, weaknesses, and undeniable impact of their utopian visions on film's political evolution. He discusses Godard's Alphaville (1965) against Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and he conducts the first scholarly reading of Film Socialisme (2010). He considers Tahimik's virtually unknown masterpiece, I Am Furious Yellow (1981–1991), along with Perfumed Nightmare (1977) and Turumba (1983); and he constructs a dialogue between Kluge's Brutality in Stone (1961) and Yesterday Girl (1965) and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009).

  • Sales Rank: #2523691 in Books
  • Brand: Brand: Columbia University Press
  • Published on: 2013-01-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .70" w x 6.00" l, .90 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Used Book in Good Condition

Review

An impressive book people will read for all kinds of reasons, academic and otherwise, not least of which is its bold proposal that the future is unthinkable without cinema.

(Richard Dienst, author of Still Life in Real Time: Theory After Television)

... Pavsek renews our faith in the utopian possibilities of truly political art.

(Patrick Reagan, Yale University Screening the Past)

Review

Based on significant research and archival work, Pavsek presents new material and theories out of which he draws original insights and conclusions. He handles opaque and theoretically dense material with an ease and familiarity that renders it accessible and fascinating.

(Nora M. Alter, Temple University)

The Utopia of Film creates ingenious bridges among three remarkably different filmmakers, vividly and convincingly arguing formal and spectatorial strategies aimed at transforming not just cinema but contemporary culture.

(Timothy Corrigan, University of Pennsylvania)

At a time when older conceptions of political film have become outmoded, if not forgotten altogether, Christopher Pavsek unexpectedly reinvents this form through his pathbreaking examination of three neglected but extraordinary filmmakers. The Utopia of Film is a revelation and a resource.

(Fredric Jameson, Duke University)

About the Author

Christopher Pavsek is associate professor of film in the School for the Contemporary Arts at Simon Fraser University in Vancouver. His films include The One and All (2002) and To Those Born After (2005), and he is the translator of Alexander Kluge's Learning Processes with a Deadly Outcome.

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Rabu, 08 Mei 2013

[N177.Ebook] Free PDF Samurai: The Story of Japan's Great Warriors, by Stephen Turnbull

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Samurai: The Story of Japan's Great Warriors, by Stephen Turnbull

Four vellum sections build up the layers of armor worn by the samurai, and text by a world-recognized expert on the subject, provide an inimitable look at the mysterious ancient Japanese warrior class. Every image and page offers fascinating insight, from an overview of early Japan and the emperor system to the specifics of weaponry. The story begins as the samurai come into being in the 800s, and defines exactly what they are. Tales of the great battles and feuds, and commentary on the politics of the time, bring these compelling soldiers to life. The comprehensive information covers such issues as the samurai's ranks and grades, way of life, retainers, loyalty (bushido), and training. An absolutely compelling guide.

  • Sales Rank: #611273 in Books
  • Brand: Brand: PRC Publishing
  • Published on: 2004-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.09" h x 9.38" w x 11.64" l,
  • Binding: Hardcover
  • 224 pages
Features
  • Used Book in Good Condition

About the Author
Dr. Stephen Turnbull is recognized as the leading non-Japanese authority on the samurai, with a knowledge base that is unrivaled. He has published 22 books since 1977, most on Japanese topics, and is a guest lecturer at Leeds University.

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0 of 0 people found the following review helpful.
Another Great Turnbull Read
By Marion Martinez
Very informative. All of Turnbulls books on the Samurai are interesting and full of Japanese woodcuts from the time frame.

0 of 0 people found the following review helpful.
Five Stars
By James Dawson
Great Price, Good Read

23 of 24 people found the following review helpful.
Comprehensive Pictorial Guide
By Kay's Husband
I'm not certain why the "Samurai" bug bites readers but in my case I lived outside Yokohama, Japan, on the Kanto Plain for 25 months between October, 1962, and December, 1964. (Please see also my review of Oliver Statler's early 1960's book, "Japanese Inn" for additional detail of this area).

Living only a stone's throw from the ancient Tokaido Road, once capital city Kamakura, and medieval Odawara castle, among many other sites, caused me to this very day to have an avocational interest for Japan in general and the Samurai in specific.

I have several of Stephen Turnbull's books, feeling him to be very well versed in all aspects of this field to the point of being a notable expert in that area. The term "expert" is bandied about these days oft times without substance or merit, but in Mr. Turnbull's case it is well justified.

This particular book is one I purchased a year ago, and for the price was very pleased with its content. Should one look into it a reader would find it a good, comprehensive guide to the Japanese warriors known as 'samurai'. There are specific armor and weaponry illustrations and descriptions, as well as four "see-through vellum sections" where each layer of clothing and protective armour offers insight into the dress of these warriors. The text flows evenly and can readily be understood. Should the reader be new to this area of study this volume would easily serve as a great introductory volume.

This oversize book is amply illustrated in color, and in 256 pages offers magnificently "the story of Japan's great warriors".

Semper Fi.

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Selasa, 07 Mei 2013

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  • Published on: 2007-07-01
  • Binding: Paperback

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Senin, 06 Mei 2013

[T948.Ebook] Download PDF Blood Father: A Novel, by Peter Craig

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NOW A MAJOR MOTION PICTURE

A gripping novel about a young woman being chased by her violent past, and the flawed father forced to come to her rescue

Lydia Carson is an accident waiting to happen. Strung out, she's always running from disaster, and more often she's running right into it. Now at seventeen, Lydia has stumbled onto real trouble. Not only has she witnessed a brutal murder perpetrated by her boyfriend, but his minions are out to make sure that she doesn't have a story to tell the police.

John Link is a former Hell's Angel, an ex-con, trying to stay clean and sober while running a tattoo parlor from the kitchen of his trailer home. He's also Lydia's long-estranged father, and when both the police and her boyfriend's thugs are hot on Lydia's trail, Link becomes Lydia's only hope.

From the highly acclaimed author of Hot Plastic, Blood Father is a gripping novel that confirms Peter Craig's place among the best crime novelists of his generation.

  • Sales Rank: #125985 in Books
  • Published on: 2006-03-15
  • Released on: 2006-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .88" w x 5.25" l, .84 pounds
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
Returning to the territory he mined so well in Martini Shot and Hot Plastic, Craig pens a rollicking if formulaic tale of a father coming to terms with his past and a daughter confronting her demons as they go on the lam from a Tijuana drug cartel. After shooting her mob-boss boyfriend, Jonah, in the midst of a drug heist, Lydia Carson turns to the only person she has left to trust--her Hell's Angel-with-a-heart-of-gold father, John Link. Lydia and John have been estranged more than a decade while he's been doing time for homicide. Raised by her mother and a series of grotesque stepfathers, Lydia has fallen into an ever-deepening cycle of drug abuse and delinquency. But together father and daughter dodge the cops, who want Lydia in connection with a murder she didn't commit, as well as Jonah's old gang, who want revenge for reasons unclear until the end, all the while making up for those lost years. As with Craig's previous books, this is, at heart, an exploration of what it means to be family. After John gives Lydia her first lesson on driving a motorcycle, he realizes that "all the weight of his own history... could finally have a purpose" if only he can help his daughter out of the mess she's made. It's moments like this that raise the book above its Hollywood cliché plot and make it an engaging, affecting read.
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From Booklist
Lydia Carson, age 17, has managed to get herself mixed up with the wrong people: her boyfriend, an older man, is obviously not on the right side of the law. When he takes her along on a job and then insists that Lydia shoot someone (as a character-building exercise), Lydia does exactly that--but instead of the intended victim, she shoots her boyfriend. Now, on the run from his colleagues (cohorts?), she turns to the only person who can help: her long-estranged father, newly sprung from prison and trying to turn his life around. Unfortunately, the only way to protect his daughter is to plunge right back into his old life. This father-and-daughter tale, recast as a fast-paced thriller, solidifies the author's reputation as a writer with a fresh and vivid point of view. Its theme of family reconciliation will especially appeal to readers who like their thrillers to be about more than just good guys and bad guys. David Pitt
Copyright © American Library Association. All rights reserved

Review
"Rollicking ... An engaging, affecting read ... [about] a father coming to terms with his past and a daughter confronting her demons as they go on the lam."―Publishers Weekly

"This father-and-daughter tale, recast as a fast-paced thriller, solidifies [Peter Craig's] reputation as a writer with a fresh and vivid point of view. Its theme of family reconciliation will especially appeal to readers who like their thrillers to be about more than just good guys and bad guys."―Booklist

"Gruesome, haunting, tragic and, strangely enough, edifying, Peter Craig's Blood Father is nothing short of brilliant."―BookPage

"It is Craig's continuing exploration of difficult family relationships that gives Blood Father its vivid, pulsing heart."―Paula L. Woods, Los Angeles Times

"Headlong, dust-billowing suspense thriller, the best yet from Craig."―Kirkus Reviews

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Star
By Nashoba Losa
Well, all in all, not a bad book at all. I did not enjoy the vulgar language but I suppose it is in keeping with the personalities of the characters. Too much time was spent examining the personality of the daughter but I suppose that was essential for the author. The book is a fast read and seldom bogged down. Sadly, there is some familiarity between the plot and the lives of actual people of whom I have read who have the same life lines, just pitiful and almost hopeless and un-rewarding. I would buy the book again and will keep it in my permanent library.

0 of 0 people found the following review helpful.
Dark side of the young drug influenced youth who populate ...
By Jeff Fraley
Dark side of the young drug influenced youth who populate la's lower echelon. Anti-hero tries to save daughter from herself and her sick boyfriend.
Lots of violence as you might expect but the characters who were most concerned about have some redeeming qualities that make the journey worthwhile.

0 of 0 people found the following review helpful.
Very good book!
By Brent_79
Blood Father is a well crafted crime drama the reads like the front page of your local paper. Not too tough to follow but very engaging. First heard of Peter Craig when I found Hot Plastic on the book shelf and gave it a whirl.....WOW, what a good book, I thought how can you follow that? Well he delivers once again with Blood Father! You will not be disapointed with this one. He also comes from a talented family, Sally Field being his mother and his brother Eli Craig just released a very funny film "Tucker & Dale VS Evil".

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Sabtu, 04 Mei 2013

[S765.Ebook] Download PDF How to Taste: A Guide to Enjoying Wine, by Jancis Robinson

Download PDF How to Taste: A Guide to Enjoying Wine, by Jancis Robinson

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How to Taste: A Guide to Enjoying Wine, by Jancis Robinson

How to Taste: A Guide to Enjoying Wine, by Jancis Robinson



How to Taste: A Guide to Enjoying Wine, by Jancis Robinson

Download PDF How to Taste: A Guide to Enjoying Wine, by Jancis Robinson

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How to Taste: A Guide to Enjoying Wine, by Jancis Robinson

Hailed by Jerry Shriver in USA Today as “the woman who makes the wine world gulp when she speaks,” Jancis Robinson created in How to Taste a classic for connoisseurs of all levels and the first introduction of its kind to focus on practical tasting exercises. Now fully revised and updated, Robinson's renowned guide proves once again that learning about wine can be just as engaging as drinking it.

What better way to learn about wine than to taste it?

Written in Robinson's trademark accessible style, the new How to Taste features thoroughly updated vintages and producers as well as up-and-coming wine regions and styles. Incorporating wines that are both easily obtainable and reasonably priced, Robinson's lessons are separated into complementary portions of theory and practice to help you both learn and taste your way to wine expertise.

One of the world's best-loved authorities on wine, Robinson explains first how to get the most out of the flavor of your wine and food, and then about specific grapes and the wines themselves. By the time you finish the book, you will have learned how to recognize the most popular grape varieties from Chardonnay and Riesling to Pinot Noir and Cabernet Sauvignon, and why a good sparkling wine is always better than cheap champagne. You will discover how to judge sweetness, acidity, and fruitiness as well as the difference between the length and the weight of a wine. You will also be given practical advice for dealing with wine in the real world: how to choose from a wine list, organize your own wine tastings, and pair wines with specific foods.

From the armchair to the wine shop and back to the table, How to Taste will transform anyone on any level into a confident connoisseur who can leave faltering sips behind and have fun along the way.

  • Sales Rank: #240695 in Books
  • Brand: Robinson, Jancis/ Baldwin, Jan (PHT)
  • Published on: 2008-11-25
  • Released on: 2008-11-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .80" w x 6.50" l, 1.55 pounds
  • Binding: Hardcover
  • 208 pages

Amazon.com Review
Whether Montessori or Merlot, kindergarten or Cabernet, the importance of a good instructor during the formative years is crucial. That's why newcomers to the world of wine could do a lot worse than having a corkscrew in one hand and a copy of Jancis Robinson's How to Taste in the other. A revision of 1983's Masterglass and published in the U.K. under the superior title Jancis Robinson's Wine-Tasting Workbook, How to Taste is a primer by a certified Master of Wine and star of the PBS series Jancis Robinson's Wine Course. From acidity to Australian Shiraz, oak to Oregon Pinot, Robinson delivers chapters of information and theory, intermingled with shaded "Practice" exercises, presented in a style as off-dry as one of the author's beloved Rieslings (the tannin in a lesser vintage Barolo is "like sucking on a matchstick"). Sometimes tuition at Jancis U. runs high: the lesson on sugar/acid balance culminates with expensive Sauterne "Practice." And even if Robinson risks, by dropping words like "charred" and "umami" early in the book, sending novices back to tear open a fresh box of Franzia, vinous virgins are encouraged to stick with it. By the time they get to the glossary at book's end, they'll be identifying wines at blind tastings with professional accuracy--which, Robinson encouragingly reveals, and she ought to know, is about 50 percent. --Tony Mason

Review
"Perhaps the most talented of the world's wine writers...[with a] seemingly infinite ability to fashion informative, accurate books that are essential reading." -- Robert M. Parker, Jr.

"The woman who makes the wine world gulp when she speaks...as unpretentious as Beaujolais Nouveau." -- Jerry Shriver, USA Today

"I have watched her slowly tighten her grip on the wine world with awe...Don't be fooled by her twinkling television persona; her serious purpose is to open the wine world to all comers, at all levels. In the process she has become a household name -- for good." -- Hugh Johnson

"The Julia Child of wine." -- Peter M. Gianotti, Newsday

"She is simply the best wine writer working today. No one else comes close to Robinson's combination of tasting acuity, prolific and authoritative writing, and wit." -- Stephen Tanzer, International Wine Cellar

"A thorough, no-nonsense approach to unlocking some of the mysteries of appreciating and enjoying wine." -- Frank Prial, The New York Times

"For those who want to learn how to taste wine, the Robinson approach is hard to beat!" -- Gerald D. Boyd, San Francisco Chronicle

"By a long measure the best wine writer in the world." -- Paul Levy, The Wall Street Journal

About the Author
Jancis Robinson is one of the world's best-loved authorities on wine. A Master of Wine, a respected wine judge and lecturer, Robinson has also written and presented the award-winning BBC television series Jancis Robinson's Wine Course and She has been a regular columnist for Wine Spectator and is now the wine correspondent for the Financial Times. Author of several definitive books on wine as well as the autobiographical Confessions of a Wine Lover, she is also the editor of the multi-award-winning Companion to Wine.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A must read for anyone learning about wine!
By A. Alvarado
As the title suggests, this book is certainly a 101 course in how to taste so that you can increase the pleasure of your wine tasting experience. Nearly half of the book is dedicated to how we taste and although this much coverage may initially seem a bit over the top, every page offers new information. If her writing style were described as a wine, I'd say it is a crisp, clean, beautifully aged, full-bodied, well balanced wine, seasoned with a warm toastiness, and hints of dark fruit. She's direct and uses an instructional and educational format, yet injects humor at every turn, while offering the reader practice exercises to fully comprehend the information. Her wealth of knowledge on the subject is evident in her details as she covers every aspect of tasting, examples of how it relates to wine, the flavors in wine, what causes those flavors, how the flavors compare to foods, the grapes that will taste different in each terroir, and how the wine-making process will further influence the flavor of the wine.

She begins with taste, at its most basic level, describing the art and science of it. We do it every day, just as we breathe, without awareness, and yet, once we become fully aware of how our senses react to different flavors and aromas, we begin to have a deeper appreciation of the experience. Right from the beginning, she offers a practical exercise to try to demonstrate this. Have someone blindfold you and offer you different foods with the same texture to see whether or not you can tell them apart (slices of a plum and nectarine, for example). Then try it with similar bodied wines (a merlot and a cabernet sauvignon, for example) to see if you can identify the variety.

Our senses of sight, smell, and taste are so closely interconnected that when we consciously engage all three, the taste experience is heightened. In fact, I now have a deeper appreciation of these senses and for my father's unfortunate condition. He lost his sense of smell in an accident when he was young and whenever he eats, he has to wait until the food reaches the back of his throat before he can tell you if it pleases him. I never understood this until I tried the exercise Jancis suggested. Hold your nose while eating something you're familiar with. So I tried this and was surprised that I couldn't taste the flavor, even as it reached the back of my throat. So, I suppose the flavor experience is different for us all. Still, I couldn't help but feel sad for my father because he's unable to enjoy the full flavor of foods. Anyone who has ever had a cold can probably relate to how tasteless foods are when their nasal passages are blocked.

Jancis elaborates on the importance of sight, smell and taste and how each carries a different message to our brains. The first thing we notice is either how something looks (how appetizing it appears) or how it smells (when walking by a restaurant or my mom's kitchen...yum). This desire builds within us and creates an expectation of how great the food will taste, our mouths begin to water and we can almost taste it at this point. Notice what happens when we actually take a sip or a bite. "Different substances give off different vapors" (14). Think of wine versus bread, or steak on the grill versus a bowl of sugar. The strongest vapors you can taste without actually putting them into your mouth. Alongside this lesson, she illustrates the sweetness in wine, the sugar content, and what that does to our mouth. There's a practice exercise to determine where on your tongue you experience this best, so you'll notice the amount of sweetness the next time you try a wine. Throughout the book, she teaches you something about taste, (such as this lesson on sweetness), then she relates it to wine, and includes some very useful charts divided into red and white categories.

The major tastes (acidity, sweetness, salt, and bitterness) are described in depth and how balance in wine is important and signifies quality. If we stop to notice, different parts of our tongue (front, back, center, and sides) are sensitive to these different tastes. She elaborates on the wines that exhibit these flavors and points out which regions do this superbly. She compares the regional differences in wine-making and terminology. Other flavors such as tannins, astringency, weight, alcohol content, dryness, and cleanliness are covered at length. She includes bad aromas and flavors that you may encounter in wine such as oxidation, sulfur, TCA, reduction, carbon dioxide, and volatile acidity. The quality of a wine can be determined by its cleanliness, balance, and length and all senses should be engaged during this.

Jancis explains what to look for visually (deposits, range of color in reds and whites, lighter at the rim, and legs), aromatically (and that one should avoid strong perfumes, after shaves and food smells to properly taste a wine) and finally when you taste the wine, what temperature it should be served and what foods (mints, gum, vinegar) to avoid to fully enjoy it. Guidelines for storing, chilling, serving, decantering, choosing the right glasses, spitting (or not to), and keeping notes are provided.

There is an entire section on the predominant grapes, their nuances, their distinguishing flavors, their attributes, what regions/climates they grow best in, regional differences/names, if it is used for blending, whether or not it is common practice to age it, and what vessel to age it in. The last section explains how to pair wine with food and as we discussed in class, the old rules are thrown right out the window. One rule to follow is a full-bodied wine would pair well with full flavored foods, and a lighter wine with lighter foods. Some of the old standards apply where the acidity in a white wine would best pair with seafood and a full-bodied red with a steak, but since it's a matter of taste, these are just recommendations.

Jancis' charts, exercises, and tasting glossary at the end provide us with the right amount of information to make the most out of our tasting experience. I recommend this book for anyone who wants to understand wine and get the most pleasure out of drinking wine. I now have a deeper understanding of the subject and as a result, a deeper appreciation of our senses and of wine tasting.

0 of 0 people found the following review helpful.
Great for the wine newbie!
By Every Shining Thing
This is a really great primer on wine, and I would think it would be especially good if you have the time and inclination to try all of the "homework". (I drink very little wine, so I've not really been a great student of the book, but it's interesting to read when I'm trying something new!) The only little disappointment was that the edition of the book I bought was not the same as the edition I had checked out of my library - it's smaller, so the images and text are smaller than the book I first read on loan. However, it is a newer edition, so at least the information is up to date.

146 of 147 people found the following review helpful.
Taster's Choice
By Bevetroppo
See the Amazon review dated September 29, 2001 for an excellent treatment of this book.
Since I first became interested in blind wine tasting almost 25 years ago, I have searched for a book that provided a complete and authoritative guide to describing the taste of different wines and grapes-a reference point or sounding board, if you will, against which to calibrate my own impressions. Never mind that the essence of blind tasting and the apprehension of quality depend on forming your own innate vocabulary of scents and flavors. There have been many times when I have struggled, and have just wanted an expert to tell me what the heck a textbook Crozes-Hermitage, for example, is supposed to taste like.
Jancis Robinson's Guide To Wine Tasting is an excellent contribution to this subject for beginners. I didn't realize until around page 150 that the book had originally been published in 1983 under the somewhat unfortunate title, Masterglass, but I think we can forgive her this youthful indulgence. Because over time, she has truly become the heir apparent to mantle of most prolific British wine commentator, eclipsing my other English heroes Michael Broadbent, Hugh Johnson, and Clive Coates. With multiple books, a TV show, videos, a weekly column, a new DVD and a website ... she is, to paraphrase wine newcomer Howard Stern, the Queen of All Wine Media.
This book systematically lays out the factors that contribute to the taste of a wine, and how to appreciate them. It follows the model of a "wine course," in that each chapter combines theory and practice, the practice consisting of specific instructions of what wines to try that best illustrate the principles being taught. Like all good teachers about wine, she staunchly advocates blind tasting as the key to developing your own wine appreciation faculties. Just keep in mind that to pursue the practice, you'll need a willing accomplice to pour the disguised wines for you so you can really benefit.
Two things make this slender volume particularly noteworthy and a valuable contribution for amateurs of all stripes. First, Jancis is one of the most democratic and unintimidating wine writers on the planet. She goes out of her way to make beginners feel at ease, correctly observing that in many cases the less you know, the more accurate your initial impressions can be. She also makes it clear that even experts routinely embarrass themselves at this game, which is half the fun and often offers a better learning experience than actually guessing correctly. No one interested in learning more about wine appreciation will feel condescended to within the pages of this book.
Second, I give Jancis a lot of credit for being willing to describe specific flavors that derive from major grapes, variations in winemaking practice, and geographical differences, since that is after all why I most wanted to read the book. It is not as detailed or quite as specific as I would like, but it does an admirable job nonetheless and can refresh the core knowledge of a more experienced taster just as well as empower a newcomer.
I don't have much to criticize about the book. There's a very bad typo on page 47 where Brunello di Montalcino is described as coming from the nebbiolo grape (instead of the sangiovese clone, brunello), but this is correctly stated later on. I also think the selection of some of the second-tier grapes she characterizes is a little odd (why even bother with trebbiano if she says it's undistinguished, when she ignores other Italian white grapes that make wonderful wines). Finally, there are a few pages whose layout contains very little information (I counted one with fewer than 50 words) and since this isn't an art book, it gives the appearance of padding.
Nevertheless, this book provides all the basics of what you need to know to not just enjoy tasting wine, but to actually appreciate it.

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