Sabtu, 30 Maret 2013

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The Brothers Cabal (Johannes Cabal Novels), by Jonathan L. Howard

"The Brothers Cabal is smart, funny, and dark in all the right places. Imagine Mycroft and Sherlock-if one were a polite vampire and the other were a surly necromancer-up against an army of monsters and magicians. Like Pratchett and Fforde, Jonathan L. Howard puts it all together and makes it look effortless."
-Christopher Farnsworth, author of Blood Oath

Horst Cabal has risen from the dead. Again. Horst, the most affable vampire one is ever likely to meet, is resurrected by an occult conspiracy that wants him as a general in a monstrous army. Their plan: to create a country of horrors, a supernatural homeland. As Horst sees the lengths to which they are prepared to go and the evil they cultivate, he realizes that he cannot fight them alone. What he really needs on his side is a sarcastic, amoral, heavily armed necromancer.

As luck would have it, this exactly describes his brother.

Join the brothers Cabal as they fearlessly lie quietly in bed, fight dreadful monsters from beyond reality, make soup, feel slightly sorry for zombies, banter lightly with secret societies that wish to destroy them, and-in passing-set out to save the world.

  • Sales Rank: #141602 in Books
  • Published on: 2015-09-22
  • Released on: 2015-09-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.24" h x .99" w x 5.53" l, .0 pounds
  • Binding: Paperback
  • 352 pages

Review

“Jonathan L. Howard has such an effortless way with monsters and the undead that you might suspect him of being, like his creation, Johannes Cabal, a necromancer. The series is addictive.” ―Richard Kadrey, author of the Sandman Slim series

“The Brothers Cabal is smart, funny, and dark in all the right places. Imagine Mycroft and Sherlock -- if one were a polite vampire and the other were a surly necromancer -- up against an army of monsters and magicians. Like Pratchett and Fforde, Jonathan L. Howard puts it all together and makes it look effortless.” ―Christopher Farnsworth, author of Blood Oath

“In the vein of the comic horror/fantasies of Tom Holt and Christopher Moore, but substantially weirder. Although it's part of a series, the book can be read as a stand-alone, and fans of the genre should definitely be encouraged to give it a look.” ―Booklist

“Howard is a supremely talented writer and the Johannes Cabal series makes for superb reading. It would be easy at this point to say if you like Rankin or Fforde or Pratchett or Holt, then you will love these books, but while it may well be true it would be doing Howard a disservice.” ―Sci-Fi-London

“Howard makes it look easy to paint a soul-stealing murdering necromancer as a sympathetic character; that, folks, is worth the price of admission.” ―San Diego Union-Tribune

“Cabal, the detective and necromancer, is full of charismatic amorality, making him both a classical and refreshing antihero.” ―Time Out Chicago

“Howard's ear for witty banter and his skill at rendering black comedy bode well for the future.” ―Publishers Weekly

“Johannes Cabal would kill me for saying this, but he's my favorite Zeppelin-hopping detective. The fellow has got all the charm of Bond and the smarts of Holmes--without the pesky morality.” ―Daniel H. Wilson, author of Robopocalypse

“Howard's characters, relentless imagination, twisting plotlines, and use of language make the Johannes Cabal series a real pleasure to read.” ―Richard Kadrey, author of the Sandman Slim novels

About the Author
Jonathan L. Howard is a game designer, scriptwriter, and a veteran of the computer-games industry since the early nineties, with titles such as the Broken Sword series to his credit. He is author of Johannes Cabal the Necromancer, Johannes Cabal the Detective, and Johannes Cabal: The Fear Institute, the YA novels Katya's World and Katya's War, and the forthcoming Carter & Lovecraft. He lives in the United Kingdom with his wife and daughter.

Most helpful customer reviews

9 of 10 people found the following review helpful.
A very very entertaining read.. JLH really matures as an author !!
By Ashwin Kelkar
A very entertaining read. A very different book with respect to the earlier Johannes Cabal books since it is actually from the perspective of two characters. Johannes and his brother Horst. They could not be more different in their outlook towards the world. While Horst is a thorough gentleman with moral qualms and even worries about propriety !! The most polite vampire possible. While Johannes is well... Johannes... cold,rational, able to transmute anything as a means to the ultimate end he wants to achieve. It is a very nice chemistry between Horst and Johannes and the tale does entwine both of them together in a very very impressive way. Horst is a hero, willing to lay down his life for good people.. Johannes knows himself extremely well and shows unexpected and extremely profound levels of empathy (heaven forfend !!) in the book.
This book has less humor in it than the previous ones, but then again most of the humor is generated by the point of view of Johannes looking at the world and Horst, well.. he is just not like Johannes. Of course that does not mean it is less enjoyable, but I would have preferred a little more of Howard's special and fantastic humor in the narrative. The plot is also simpler than the Fear Institute but with very sharp twists and turns and Howard's seamless and brilliant writing style that makes both the unpredictable and the predictable facets a joy to read.
I thought that the part with Horst could have been faster paced but that is just me liking Johannes over Horst anyway.
If I had a brother I would love for him to be like Horst (since I am a lot like Johannes). I would recommend everyone to read it. Especially those who are already fans of the series...

2 of 2 people found the following review helpful.
Preternaturally Enjoyable
By London Fog
Quirky characters and most irregular situations abound in this smartly written narrative of the necromancer and his vampiric sibling, who, as a point of fact, refuses to remain dead... or, rather, undead. Somewhere in between, but not quite fantasty, sci-fi or horror, the fourth installment of the Johannes Cabal series was both a masterful utilization of language and dry humor, lightheartedly poking fun at vampire lore - and pretty much every topic it touches upon.

Set in an extremely well fleshed out dreamworld, the landscape for the story becomes a character in its own rights, and without the verbosity of description that often sinks books with such attention to stylistic writing. Cabal (a fear hunter) is an anti-hero of sorts who almost reminds me of some bizarre amalgamation of Anne Rice's vampires and Dorian Grey... but with an even sharper tongue. Along with Horst, his said undead relation, the story unfolds brilliantly and with copious amounts of authorial imagination.

With just the right tone of darkness and wit, it moves quickly and remains engaging despite the not overly complicated plot. These characters sparkle, the story exudes cleverness, and it possibly has become my favorite work of fiction so far this year. I have been passing up on this series for some unbeknownst reason, but find it is one of very, very few books I will both reread and do some catching up on with the previous novels.

2 of 2 people found the following review helpful.
The family that battles montrous abominations together...
By Liz
The snarky, tongue-in-cheek tone that made the original Johannes Cabal book such a delight to read returns in force with "The Brothers Cabal."

This time the focus is on the exploits of Johannes' debonair vampire brother Horst, who is more concerned with keeping his fashionable trousers free of grass stains than proper undead pursuits. Resurrected by a shadowy organization bent on domination, the polite pacifist Horst is not exactly the "Lord of the Dead" they were hoping for. When the otherwise amiable kidnapping goes awry, the pragmatically-violent Johannes steps in to save the day.

While the original novel in the series is still my favorite, "The Brothers Cabal" holds a charming second-place. Much of the pithy supernatural problem-solving that is the best part of any Johannes Cabal story is replaced with too many action scenes for my taste. However, the amusingly derisive banter between the brothers will be familiar to anyone with experience in sibling rivalry and the cast of characters is the best J L Howard has created yet.

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Frames of Reference for Pediatric Occupational Therapy, by Paula Kramer PhD  OTR  FAOTA

The Third Edition of Frames of Reference for Pediatric Occupational Therapy provides an exceptional foundation of theory and practical tools that will serve as the basis of pediatric occupational therapy practice. The focus of the text is on frames of reference, which offer effective blueprints for applying theoretical information to help pediatric clients lead richer, fuller lives.

The Third Edition features updates of all theories and their practical application, with an emphasis on occupation and participation in life. Coverage includes three new frames of reference to enhance teaching-learning, childhood occupations, and social participation.

  • Sales Rank: #127919 in Books
  • Brand: Brand: Lippincott Williams Wilkins
  • Published on: 2009-02-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.30" w x 7.60" l, 2.85 pounds
  • Binding: Hardcover
  • 602 pages
Features
  • Used Book in Good Condition

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1 of 1 people found the following review helpful.
Well written book
By kelsitabonita90
Chapters are very well written and organized so that you can not only understand the frame of references but see how they can be applied in a clinical setting as well. I only wish they made a book like this geared for adult practice.

0 of 1 people found the following review helpful.
Useful reference for Peds clinicians
By Ally
Very descriptive and helpful. Useful reference for Peds clinicians.

0 of 0 people found the following review helpful.
Five Stars
By Morgan Phillips
Very satisfied. Thank you!

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Rabu, 27 Maret 2013

[H131.Ebook] Free PDF You Just Don't Understand: Women and Men in ConversationFrom by Deborah Tannen

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You Just Don't Understand: Women and Men in ConversationFrom by Deborah Tannen

  • Sales Rank: #731310 in Books
  • Published on: 2009-07-12
  • Binding: Paperback

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Minggu, 24 Maret 2013

[I558.Ebook] Free PDF Asimov Laughs Again: More Than 700 Favorite Jokes, Limericks, and Anecdotes, by Isaac Asimov

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Asimov Laughs Again: More Than 700 Favorite Jokes, Limericks, and Anecdotes, by Isaac Asimov

The master of the science fiction genre makes a humorous detour through the realm of humor, presenting more than seven hundred jokes, riddles, limericks, and anecdotes. 20,000 first printing. National ad/promo.

  • Sales Rank: #1503209 in Books
  • Brand: Harper Collins
  • Published on: 1992-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.30" l,
  • Binding: Hardcover
  • 357 pages

About the Author
To list Isaac Asimov's honors, as to list his books, would be excessive. Let it simply be noted that Isaac Asimov was the most famous, most honored, most widely read, and most beloved science fiction author of all time. In his five decades as an author, he wrote more than four hundred books, won every award his readers and colleagues could contrive to give him, and provided pleasure and insight to millions. He died in 1992, still at work.

Most helpful customer reviews

1 of 1 people found the following review helpful.
This is the great science-fiction writer's second joke-book and it completes the first ...
By tatiana
This is the great science-fiction writer's second joke-book and it completes the first one, which is a little more organized into types of jokes, his publisher's idea. Even beyond that, some of the jokes are very personal and Yiddish, almost all of this magician's art is explained, and you will laugh at least 350 times. The other times you will be amazed at the breadth of his learning! .Most jokebooks I own I laugh 1 every 10 times. Not much to add to your joke repertoire unless you are Jewish, but fantastic writing nonetheless. The real tragedy is that he didnt live another 80 years and write another 400 odd books.

2 of 2 people found the following review helpful.
Who laughs last?
By G. Russell
I bought this book on a whim for an Asimov fan. For all I knew he had every Asimov book he wanted; however, I took a chance.
All things considered, I bought Asimov's favorite book, and the last book he knew was printed, this one.
I admit I read through this book to see what it was about. I shared some jokes with my daughter and she laughed (whoa).
My friend was impressed that I had listened to him when he talked about his interest in Asimov and he had neither book. Yea.So, if you're an Asimov fan, or if you could use a laugh, go ahead, live a little.

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Dated but useful

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Jumat, 22 Maret 2013

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Cockpit Confidential: Everything You Need to Know About Air Travel: Questions, Answers, and Reflections, by Patrick Smith

A New York Times bestseller

For millions of people, travel by air is a confounding, uncomfortable, and even fearful experience. Patrick Smith, airline pilot and author of the web's popular Ask the Pilot feature, separates the fact from fallacy and tells you everything you need to know...

•How planes fly, and a revealing look at the men and women who fly them
•Straight talk on turbulence, pilot training, and safety
•The real story on congestion, delays, and the dysfunction of the modern airport
•The myths and misconceptions of cabin air and cockpit automation
•Terrorism in perspective, and a provocative look at security
•Airfares, seating woes, and the pitfalls of airline customer service
•The colors and cultures of the airlines we love to hate

Cockpit Confidential covers not only the nuts and bolts of flying, but also the grand theater of air travel, from airport architecture to inflight service to the excitement of travel abroad. It's a thoughtful, funny, at times deeply personal look into the strange and misunderstood world of commercial flying.

It's the ideal book for frequent flyers, nervous passengers, and global travelers.

Refreshed and vastly expanded from the original Ask the Pilot, with approximately 75 percent new material.

  • Sales Rank: #42335 in Books
  • Published on: 2013-05-07
  • Released on: 2013-05-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.50" w x 1.00" l, .80 pounds
  • Binding: Paperback
  • 320 pages

Review
"Brilliant...A book to be savored and passed to friends."
-- William Langewiesche, Vanity Fair

“Nobody covers the airline experience like Patrick Smith. He brings balance and clarity to a subject all too often over-hyped. And, he's a damned good writer.”
-- Clive Irving, Conde Nast Traveler

“I wish I could fold up Patrick Smith and put him in my suitcase.  He seems to know everything worth knowing about flying.”
-- Stephen Dubner, coauthor of Freakonomics

“Patrick Smith is extraordinarily knowledgeable about modern aviation, and communicates beautifully in English, not in pilot-ese. Th ideal seatmate, companion, writer and explainer.”
-- Alex Beam, Boston Globe

“A brilliant writer, Patrick Smith provides a laugh-a-page tour of a misunderstood industry -- a journey into the world of aviation, stripped of the mumbo-jumbo and filled with humor and insight.”
-- Christine Negroni, aviation correspondent and author of Flying Lessons

"Patrick Smith doesn’t just know everything about air travel, he possesses a rare knack for explaining it in lucid and witty prose."
-- Barbara Peterson, Condé Nast Traveler

“Patrick Smith is one of the best writers around, period, which certainly makes him by far the best writer ever to have earned a commercial pilot's license. A soaring accomplishment, indispensable for anyone who travels by air, which means everyone.
-- James Kaplan

"Wonderful"
-- Rudy Maxa

“Patrick Smith manages to demystify the experience and remind us of the magic of aviation. Also he has a great sense of humor – which is critical when you are wedged into seat 14D on a regional jet.”
-- Chris Bohjalian

“Brilliantly down to earth and reassuring”
-- Cath Urquhart, The Times (London)

 "What a pleasure it is reading Patrick Smith's surprisingly elegant explanations and commentary.  The world needs somebody writing E.B. White simple and sensible about a topic everyone has a question about."   
-- Berke Breathed

“Patrick Smith doesn’t just know everything about air travel, he possesses a rare knack for explaining it in lucid and witty prose.”
-- Barbara Peterson,

Condé Nast Travele"Cockpit Confidential is the document that belongs in the seat-back pocket in front of you."   
-- David Pogue, New York Times correspondent and PBS television host

About the Author
Patrick Smith is an airline pilot and the creator of the popular Web site askthepilot.com. His Ask the Pilot column ran regularly on salon.com from 2002 until 2012. He has appeared frequently on television and radio, including on PBS, the Discovery Channel, CNN, the BBC, and National Public Radio. Patrick lives near Boston.

Charlie Thurston has appeared on stages across the country, including Trinity Repertory Company, Arden Theatre Company, Baltimore Center Stage, Intiman Theater, Chautauqua Theater Company, and Riverside Theatre. Charlie holds an MFA in acting from Brown University/Trinity Rep.

Excerpt. © Reprinted by permission. All rights reserved.

Introduction

The Painter’s Brush

More than ever, air travel is a focus of curiosity, intrigue, anxiety, and anger. In the chapters that follow I will do my best to provide answers for the curious, reassurance for the anxious, and unexpected facts for the deceived.

It won’t be easy, and I begin with a simple premise: everything you think you know about flying is wrong. That’s an exaggeration, I hope, but not an outrageous starting point in light of what I’m up against. Commercial aviation is a breeding ground for bad information, and the extent to which different myths, fallacies, and conspiracy theories have become embedded in the prevailing wisdom is startling. Even the savviest frequent flyers are prone to misconstruing much of what actually goes on.

It isn’t surprising. Air travel is a complicated, inconvenient, and often scary affair for millions of people, and at the same time it’s cloaked in secrecy. Its mysteries are concealed behind a wall of specialized jargon, corporate reticence, and an irresponsible media. Airlines, it hardly needs saying, aren’t the most forthcoming of entities, while journalists and broadcasters like to keep it simple and sensational. It’s hard to know who to trust or what to believe.

I’ll give it my best shot. And in doing so, I will tell you how a plane stays in the air, yes. I’ll address your nuts-and-bolts concerns and tackle those insufferable myths. However, this is not a book about flying, per se. I will not burden readers with gee-whiz specifications about airplanes. I am not writing for gearheads or those with a predisposed interest in planes; my readers don’t want to see an aerospace engineer’s schematic of a jet engine, and a technical discussion about cockpit instruments or aircraft hydraulics is guaranteed to be tedious and uninteresting―especially to me. Sure, we’re all curious how fast a plane goes, how high it flies, how many statistical bullet points can be made of its wires and plumbing. But as both author and pilot, my infatuation with flight goes beyond the airplane itself, encompassing the fuller, richer drama of getting from here to there―the “theater” of air travel, as I like to call it.

For most of us who grow up to become airline pilots, flying isn’t just something we fell into after college. Ask any pilot where his love of aviation comes from, and the answer almost always goes back to early childhood―to some ineffable, hard-wired affinity. Mine certainly did. My earliest crayon drawings were of planes, and I took flying lessons before I could drive. Just the same, I have never met another pilot whose formative obsessions were quite like mine. I have limited fascination with the sky or with the seat-of-the-pants thrills of flight itself. As a youngster, the sight of a Piper Cub meant nothing to me. Five minutes at an air show watching the Blue Angels do barrel rolls, and I was bored to tears. What enthralled me instead were the workings of the airlines: the planes they flew and the places they went.

In the fifth grade I could recognize a Boeing 727-100 from a 727-200 by the shape of the intake of its center engine (oval, not round). I could spend hours cloistered in my bedroom or at the dining room table, poring over the route maps and timetables of Pan Am, Aeroflot, Lufthansa, and British Airways, memorizing the names of the foreign capitals they flew to. Next time you’re wedged in economy, flip to the route maps in the back of the inflight magazine. I could spend hours studying those three-panel foldouts and their crazy nests of city-pairs, immersed in a kind of junior pilot porno. I knew the logos and liveries of all the prominent airlines (and many of the nonprominent ones) and could replicate them freehand with a set of colored pencils.

Thus I learned geography as thoroughly as I learned aviation. For most pilots, the world beneath those lines of the route map remains a permanent abstraction, countries and cultures of little or no interest beyond the airport fence or the perimeter of the layover hotel. For others, as happened to me, there’s a point when those places become meaningful. One feels an excitement not merely from the act of moving through the air, but from the idea of going somewhere. You’re not just flying, you’re traveling. The full, beautiful integration of flight and travel, travel and flight. Are they not the same thing? To me they are. One can inspire the other, sure, but I never would have traipsed off to so many countries in my free time―from Cambodia to Botswana, Sri Lanka to Brunei―if I hadn’t fallen in love with aviation first.

If ever this connection struck me in a moment of clarity, it was a night several years ago during a vacation to Mali, in West Africa. Though I could write pages about the wonders and strangeness of West Africa, one of the trip’s most vivid moments took place at the airport in Bamako, moments after our plane touched down from Paris. Two hundred of us descended the drive-up stairs into a sinister midnight murk. The air was misty and smelled of woodsmoke. Yellow beams from military-style spotlights crisscrossed the tarmac. We were paraded solemnly around the exterior of the aircraft, moving aft in a wide semicircle toward the arrivals lounge. There was something ceremonial and ritualistic about it. I remember walking beneath the soaring, blue-and-white tail of Air France, the plane’s auxiliary turbine screaming into the darkness. It was all so exciting and, to use a politically incorrect word, exotic. And that incredible airplane is what brought us there. In a matter of hours, no less―a voyage that once would have taken weeks by ship and desert caravan.

The disconnect between air travel and culture seems to me wholly unnatural, yet we’ve seen a virtually clean break. Nobody gives a damn anymore how you get there―the means coldly separated from the ends. For most people, whether bound for Kansas or Kathmandu, the airplane is a necessary evil, incidental to the journey but no longer part of it. An old girlfriend of mine, an artist who would have no trouble appreciating the play of light in a seventeenth-century painting by Vermeer, found my opinions utterly perplexing. Like most people, she analogized airplanes merely as tools. The sky was the canvas, she believed; the jetliner as discardable as the painter’s brush. I disagree, for as a brush’s stroke represents the moment of artistic inspiration, what is travel without the journey?

We’ve come to view flying as yet another impressive but ultimately uninspiring technological realm. There I am, sitting in a Boeing 747, a plane that if tipped onto its nose would rise as tall as a 20-story office tower. I’m at 33,000 feet over the Pacific Ocean, traveling at 600 miles per hour, bound for the Far East. And what are the passengers doing? Complaining, sulking, tapping glumly into their laptops. A man next to me is upset over a dent in his can of ginger ale. This is the realization, perhaps, of a fully evolved technology. Progress, one way or the other, mandates that the extraordinary become the ordinary. But don’t we lose valuable perspective when we begin to equate the commonplace, more or less by definition, with the tedious? Aren’t we forfeiting something important when we sneer indifferently at the sight of an airplane―at the sheer impressiveness of being able to throw down a few hundred dollars and travel halfway around the world at nearly the speed of sound? It’s a tough sell, I know, in this age of long lines, grinding delays, overbooked planes, and inconsolable babies. To be clear, I am not extolling the virtues of tiny seats or the culinary subtlety of half-ounce bags of snack mix. The indignities and hassles of modern air travel require little elaboration and are duly noted. But believe it or not, there is still plenty about flying for the traveler to savor and appreciate.

I’m hesitant to say that we’ve developed a sense of entitlement, but it’s something like that. Our technological triumphs aside, consider also the industry’s remarkable safety record and the fact that fares have remained startlingly cheap, even with tremendous surges in the price of fuel. Sure, years ago, passengers could enjoy a five-course meal served by a tuxedoed flight attendant before retiring to a private sleeping berth. My first airplane ride was in 1974: I remember my father in a suit and tie and double helpings of fresh cheesecake on a ninety-minute domestic flight. The thing was, getting on a plane was expensive. This will be lost on many people today, young people especially, but once upon a time, college kids didn’t zip home for a few days over Christmas. You didn’t grab a last minute seat for $99 and pop over to Las Vegas―or to Mallorca or Phuket―for a long weekend. Flying was a luxury, and people indulged sporadically, if at all. In 1939, aboard Pan Am’s Dixie Clipper, it cost $750 to fly round-trip between New York and France. That’s equal to well over $11,000 in today’s money. In 1970, it cost the equivalent of $2,700 to fly from New York to Hawaii.

Things changed. Planes, for one, became more efficient. Aircraft like the 707 and the 747 made long-haul travel affordable to the masses. Then the effects of deregulation kicked in, changing forever the way airlines competed. Fares plummeted, and passengers poured in. Yes, flying became more aggravating and less comfortable. It also became affordable for almost everybody.

I have learned never to underestimate the contempt people hold for airlines and the degree to which they hate to fly. While some of this contempt is well deserved, much of it is unfair. Today a passenger can, in a backpack and flip-flops, traverse the oceans for the equivalent of a few pennies per mile, in near-perfect safety and with an 85 percent chance of arriving on time. Is that really such an awful way to travel? Meanwhile, if you’re that insatiably eager to revisit those luxurious indulgences of aviation’s golden years, well, you can do that too, by purchasing a first or business class ticket―for less than what it cost fifty years ago.

Most helpful customer reviews

87 of 93 people found the following review helpful.
Often Opinionated, Occasionally Pedantic, Always Entertaining
By takingadayoff
Expecting an update of Patrick Smith's earlier book, Ask the Pilot: Everything You Need to Know About Air Travel, I was surprised to see a completely different book. Yes, he still answers questions that passengers are curious about, such as how dangerous is turbulence, and what is in the air supply in the cabin, but he goes into many other topics that are of interest to people who enjoy flying. He discusses airline logos and liveries (the paint jobs on the planes) and airline names.

Smith is often pedantic and always opinionated, and it all makes for an entertaining book. He has some definite thoughts about the service on airlines, which is a little surprising, since he is a pilot for a major U.S. airline (but he doesn't say which one), and he also has some comments about passengers, which are usually less strident, such as his puzzlement over why sudoku is so popular. Just don't get him started on airport security.

One important reason Smith's book may appeal to more people than a straightforward question and answer book would, is that Smith is not only an industry professional, but he's often a passenger, traveling for fun, so he knows what it's like to sit in coach. This dual point of view, which is apparently not very common among airline employees, many of whom don't care to travel on their own time or dime, gives Smith more perspective, so he's not just the lecturer here, he knows your travelin' pain.

Not only does he travel, he enjoys airports, flying, and seeing new places. He intersperses his question and answer sections with musings on travel. Most entertaining, in my opinion, were his ramblings on questions of design, such as airline logos and slogans.

Smith is a little too honest to completely allay your fears about flying, but I appreciate the straight talk and it gives him a lot more credibility than if he told you not to worry, he's got it covered up in the cockpit. He does have it covered, but there are no guarantees, and he's weathered a couple of hairy experiences.

Although you might want to save those sections for when you're on terra firma, much of the book would be quite diverting while you're stuck in the middle seat.

41 of 43 people found the following review helpful.
For the real airplane lovers...
By Jill Meyer
Are you a nervous flyer? Are you someone who'd rather drive than fly? Are you someone who doesn't get excited looking at the lights of planes as they line up in the night sky outside a busy airport, coming in for a landing, one after the other? On the other hand, do you know what the terms "OAG", "triple 7", and "Runway Two-niner" refer to? If you're the latter and not the former, you'll enjoy Patrick Smith's new book, "Cockpit Confidential".

Patrick Smith - the name "Smith" is a nom-de-plume - is an airline pilot and blogger, who operates out of Boston. He used to blog for SALON magazine but I'm not sure he still writes for them. In any case, he has his own website, askthepilot.com, and this new book. His previous one, "Ask the Pilot: Everything You Need to Know About Flying", was published in 2004. Smith has been been a pilot and in love with all forms of air travel since, as a child living in Boston, he'd sit on the Revere beach and watch in awe as planes landed at nearby Logan Airport. He grew up to make a living as first a pilot for a commuter carrier - flying up and down the Atlantic seaboard and all around New England - and then he "graduated" to flying cargo jets for a freight airline. Finally, he's now flying for an international passenger airline. (I think it might be Delta, from what I've been able to glean from his writing. Or, if not, American.) He has been subjected to layoffs during his career and is quite honest about how he - and other pilots - struggle with the on-going airline politics and economic ups-and-down that make a pilot's career somewhat haphazard.

Okay, Patrick Smith and I are airline fanatics. And, probably so are most people reading this review. Most of us fly a lot - Smith is lucky that he gets paid to do so - and we like to see new places. We're also fascinated by the arcane of the airline industry - old tickets from the 1940's and clips from newsreels of passengers boarding a plane in the 1950's outfitted in suits and ties and hats. We know what local airlines were swallowed up by what larger airlines, and we know airport codes. Patrick Smith is talking to US in his book. We "get" him, and he "gets" us.

His new book talks about his own, long love of flying. He writes about how difficult it is to "catch on" in the airline industry, and how that industry has weathered crashes - both physical and economic - and the changing requirements of the TSA. Smith doesn't like the TSA - who does? - and is not shy in giving some recommendations which might not please the politically-correct among us. Looking at the September 11th terrorist attacks in particular, he talks about how the TSA and other government groups reacted by imposing the wrong "rules" in the hopes of making airplane travel "safer". "Safer" than what? Smith recounts the many terror attacks and hijackings of airplanes and airports in the 1970's and 1980's that we've seem to have forgotten. Is the taking away of a butter knife from the flight bag of pilot Patrick Smith by over-zealous TSA officials going to make the plane and the passengers Smith is going to fly be any "safer"? Hell, no. And what about those stupid restrictions on 4oz of toothpaste and mouthwash? Good lord, it's half the battle of flying today just getting through TSA security.

Author/pilot Patrick Smith covers Sept 11th and many other subjects in his new book. It's not a book most readers will be particularly interested in, but for those of us who read his blog, look-in-awe at his YouTube videos of night-landings at JFK taken from the cockpit, and enjoy flying and the history of flying, this book's for us.

21 of 22 people found the following review helpful.
Not a frequent flyer? Buy this book.
By Fast Eddy
If you are a road warrior and aviation aficionado, as I am, you won't learn much that is new from this very easy to read tome. On the other hand, if you don't know much about how the airline industry works or what goes on in the cockpit, you will learn a great deal. The author covers a lot of ground and never gets too technical for the average reader. Well worth the price of the Kindle edition.

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Japanese Tales of Mystery and Imagination, by Edogawa Rampo

This collection of mystery and horror stories is regarded as Japan's answer to Edgar Allan Poe.

Japanese Tales of Mystery & Imagination, the first volume of its kind translated into English, is written with the quick tempo of the West but rich with the fantasy of the East. These nine bloodcurdling, chilling tales present a genre of literature largely unknown to readers outside Japan, including the strange story of a quadruple amputee and his perverse wife; the record of a man who creates a mysterious chamber of mirrors and discovers hidden pleasures within; the morbid confession of a maniac who envisions a career of foolproof "psychological" murders; and the bizarre tale of a chair-maker who buries himself inside an armchair and enjoys the sordid "loves" of the women who sit on his handiwork.

Lucid and packed with suspense, Edogawa Rampo's stories found in Japanese Tales of Mystery & Imagination have enthralled Japanese readers for over half a century.

Mystery stories include:

  • The Human Chair
  • The Caterpillar
  • Two Crippled Men
  • The Traveler with the Pasted Rag Picture

  • Sales Rank: #317121 in Books
  • Published on: 2012-05-10
  • Released on: 2012-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.13" l, .50 pounds
  • Binding: Paperback
  • 224 pages

Review
"Rampo is Japan's foremost writer of mystery and tales of suspense." —The Journal of Asian Studies

"Japan's most famous mystery story writer is named Edogawa Rampo. Rampo took this name because he is a great admirer of Poe. When a visiting American asked [a noted Japanese psychologist] if the Japanese reading public didn't confuse Rampo with the real Edgar Allan Poe, he replied, 'Oh, no … Edogawa Rampo is much more famous.'" —New York Times Book Review

About the Author
Edogawa Rampo (Hirai Taro, 1894-1965) is widely regarded as the father of Japanese mystery writing. Born in Mie Prefecture, he graduated in 1916 from Waseda University and took on a series of odd jobs, working as an accountant, clerk, salesman, and peddler of noodles from a cart, before discovering his vocation as a writer. The first modern writer of mysteries in Japan, and long-time president of the Japan Mystery Writers' Club, Rampo derived his pen name from the Japanese pronunciation of Edgar Allan Poe, under whose spell he fell early in his career.

Dr. Patricia Welch is an Associate Professor of Japanese and Comparative Literature in the Department of Comparative Literature at Hofstra University.

Most helpful customer reviews

38 of 38 people found the following review helpful.
Japanese Wierd Tales
By Zack Davisson
I can think of few more truly disturbing stories than Edogawa Rampo's "The Chair." A psychologically fable describing in minute detail how a master furniture maker, obsessed with an unachievable woman, creates a chair with himself hidden inside. This chair is given to the woman, and each time she sits in it she nestles unknowingly in his lap, puts her weight onto him, lays her head against his face. The furniture maker silently feels her every night, without her ever knowing. The atmosphere, the detail of the language, and the sheer nature of the story combine for one of the classics of this genre.

"The Chair" is of course included in "Japanese Tales of Mystery & Imagination," a compilation by the father of Japanese mystery writing. Much is made of his adopting the Japanese pronunciation of Edgar Allan Poe as his pen name, but Rampo's style is his own. He favors psychological horror, and there are few elements of the supernatural to be found. Sociopaths and obsessives seem to be his stock in trade, with detailed exercises on how to commit the perfect, untraceable murder. Many of the stories end with some unexpected revelation, although I would not call it a "twist ending." The obsessive nature of the stories renders them all the more disturbing, as almost every story is something that could conceivably happen.

In addition to the excellent "The Chair," you will find "The Caterpillar" featuring a cruel wife's abuse of her de-limbed husband, "The Cliff," a back-and-forth story that will leave you wondering who is manipulating who, "The Hell of Mirrors," a man obsessed with optics and reflecting surfaces descent into insanity, "The Red Chamber," revealing the true nature of those who are attracted to stories of others deaths, "The Two Crippled Men," a story of a murderous sleepwalker who commits crimes without ever knowing it and "The Traveler with the Pasted Rag Picture," the only story with a supernatural twinge, showing brotherly devotion and love of the unreal.

Each story in "Japanese Tales of Mystery & Imagination" is well-selected, and James B. Harris does a fine job with the translation, maintaining the tension and original intention. The only real shame is that this is the only collection of Rampo's works that has been translated into English. After reading this you will long for more.

24 of 26 people found the following review helpful.
A wonderful collection of stories!
By maxmasa31
I am a huge Japanophile and a lover of dark tales of mystery and I found that this book is the best of both worlds. After reading these stories, I pulled out my dusty old collection of Poe stories and started reading them all over. The translations are excellent (despite a few questionable spellings) and the overall feel of the novel is very Poe-esque (undoubtedly because Edogawa Ranpo, himself, assisted the translator in the creation of this collection).
While a few reviewers have criticized Edogawa Ranpo for his stories lacking Poe's feel for the dark horror novel, one must know that Edogawa Ranpo is regarded as the father of the Japanese MYSTERY novel, not horror. So, for anyone hoping to get a good scare from this book, you will be let down.
But, with that said, the stories are wonderful and I, quite honestly, would have forgotten that the stories were set in Japan if not for character names. A beautiful collection of dark mysteries that would please fans of Poe's "The Purloined Letter" and "The Tell-Tale Heart," but not necessarily fans of "The Pit and the Pendulum."
I highly recommend this book to fans of Japanese literature, those who like the "Kindaichi Case Files" (Kindaichi Shounen no Jikenbo) and fans of a good mystery.

11 of 13 people found the following review helpful.
Weird Fiction that deserves recognition
By R. Benardes
First let me say that I picked this volume up with low expectations and now I must say that I'm deeply impressed.Here is a writer whose vision is entirely his own, his style succint and easy to understand.
Although frequently labelled as a mystery writer, Rampo`s short stories are best viewed as weird fiction with pulp mystery flavour.
All stories are worth reading but THE HUMAN CHAIR is an undisputed masterpiece and in my humble opinion one of the best weird short stories ever written
Edogawa Rampo is an original and deserves recognition and a larger audience.

THE JAPANESE TALES OF MYSTERY AND IMAGINATION:

The Human Chair ======================== *****
Psychological Test ===================== ***
The Caterpillar ======================== *****
The Cliff ============================== ****
The Hell Of Mirrors ==================== *****
The Twins ============================== ****
The Red Chamber ======================== ***1/2
The Two Cripple Man ==================== ***1/2
The Traveller with the Pasted... ======= ***1/2

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  • Sales Rank: #15820 in Books
  • Published on: 2016-03-15
  • Released on: 2016-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .38" w x 8.50" l, .66 pounds
  • Binding: Paperback
  • 144 pages

Review

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Most helpful customer reviews

45 of 49 people found the following review helpful.
Passed My PTCB exam the first time with this book!
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43 of 49 people found the following review helpful.
Guides you through the study process
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37 of 42 people found the following review helpful.
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