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The nature of William Blake's genius is most completely expressed in his Illuminated Books. As poet/artist Blake invented a method of printing that enabled him to create works in which words and images combine to form pages uniquely rich in content and beautiful in form. It is only through the pages as originally conceived and published by the poet himself that Blake's meaning can be fully experienced.Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now some 400 plates, drawn from The William Blake Trust's acclaimed six-volume Collected Edition, and reproduced under their supervision, provide for the first time ever in one volume what the London Review of Books hailed as "Sumptuous facsimiles . . . glorious colored pages . . . like peeping into a furnace of light through a crack in the door".

• Sales Rank: #641945 in Books
• Published on: 2000-10
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 8.50" w x 1.75" l,
• Binding: Hardcover
• 464 pages

From Publishers Weekly
Editions of Blake's poetry which as an artist and printer he frequently engraved and published himself most often fail to reproduce his integral illustrations, or do so in poor enough quality as to negate the effort. This Complete edition from the Blake Trust, published last year in a Thames and Hudson hardback edition that is now out of print, should replace the b&w-only Dover edition (but not David V. Erdman's commentary therein, or his reading text The Complete Poetry and Prose of William Blake) for any reader. The 366 crisp color and 30 b&w reproductions here, culled from the scholarly Princeton University Press six-volume annotated set, are little short of a revelation, giving us Songs of Innocence, Songs of Experience, America, Milton, Jerusalem and the rest of the Blake canon in a form acceptably close, as Binder's introduction makes clear, to the way Blake wanted us to see them. Many of these works are currently hanging in a special Blake exhibition the largest ever at the Met in New York, for which the Abrams book serves as an informative and revealing catalogue. Hamlyn, a senior curator at London's Tate (where the exhibition originated), and the University of York's Phillips present prints, drawings, paintings, selections from Blake's own illuminated books and other relevant materials, such as snapshots from Blake's marvelous editions of Edward Young's Night Thoughts and Thomas Gray's Poems. Introductory essays from novelist and biographer Peter Ackroyd (Blake; T.S. Eliot) and Marilyn Butler, rector of Oxford's Exeter College, synopsize Blake's life and times, while extensive "label copy" situates each work as presented. While the visual overview is useful and some of the detail shots of larger works are compelling, poetry readers who have to choose will take the Complete.

Copyright 2001 Cahners Business Information, Inc.

Review
This book makes a strong case that if you know Blake's poems you're getting only half—or rather none of—the picture. -- The New York Times, Christopher Benfey, 3 December 2000

About the Author
David Bindman is a noted William Blake scholar.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fascination Has Its Price
By Robert Duncanson
Generally, I enjoy the art works printed by Dover Publishers. For Dore, Grosz, Hogarth, Piranesi there is none out there better.

But volume of Blake's work is worth a price that is triples the rate for anything from Dover.

It is a beautiful publication with perfect color matches to the original. It offers the chance for the reader to deal with the text from the original or to choose much more readable type at the volume's end.

If you want to have a visionary's art and verse handy and home, this is the book to buy

2 of 2 people found the following review helpful.
Amazing Collection at a Great Price
By Aaron Wiegert
The Complete Illuminated Books is a wonderful collection of facsimiles of Blake's original etchings. Because Blake's printings were so limited (sometimes only printed in a single volume and at most printed in 50 volumes)this is as close as anyone will get to experiencing the original prints of William Blake. I highly recommend this book for anyone who appreciates literature, art and their innovative intertwining by a master of both. A beautiful volume and an incredible value!

13 of 13 people found the following review helpful.
the original illuminated books
By Ernie
This beautiful paperback volume consists of high quality reproductions of Blake's original illustrated books. It is an incredible bargain. The pictures are powerful and Blake intended the pictures and the texts to illumine each other. I've never disciplined myself to sit down and read the text from the engraved script; its not easy or natural since the print on many plates is small and faint; but it would be worth the effort. However, there is a type face version of all the poems in the back, to refer to when needed to make out a word. This is an essential book for anyone seeking to understand Blake's profound prophetic vision more deeply.

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• Sales Rank: #749489 in eBooks
• Published on: 2010-10-13
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This guide to the more adventurous evolutions of music since 1945--pointillism, post-Webernism, integral serialism, free dodecaphony, aleatory and indeterminate music, graphics, musique concrete, electronic music, and theatre music--was first published in 1975 and has been reprinted several times. For this second edition, Smith Brindle has added a new chapter reviewing developments over the decade since first publication. He discusses the decline of experimentalism and the reaction against increasing cerebralism and complexity as variously illustrated by the more recent works of Stockhausen, the minimalist works of Reich and Glass, and the partial return to romanticism. He also reviews the technological revolution which has taken place in computer music and concludes that the future of music will for the time being be most closely associated with technological change and development, rather than with radical changes in compositional techniques.

• Sales Rank: #1734151 in Books
• Published on: 1987-08-06
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .50" w x 5.69" l, .59 pounds
• Binding: Paperback
• 230 pages

Review
'A lively, well-organized, lucid, historically aware, and concise survey of the techniques, aspirations, interaction, and sociology of the avant garde as it has evolved since the end of World War II...a book that might easily be used as a text for an undergraduate course. Moreover, it could, with careful and intelligent application, be used for study by non-musicians.' Notes reviewing the first edition

Most helpful customer reviews

4 of 4 people found the following review helpful.
A great source for the new music
By Aye Yasak
As to talk about the new music and go further deeply into it, one has to clearly define the roots, social situation, paradigms, early tendencies of pioneers, theoretical backround of art in general with its relation to the overall world view and so on... Brindle's success on figuring out these concepts deserves an appreciation. The book achieves to provide a wide understanding of twentieth century music with almost all aspects of the reasoning of artistic creativity of our age. One of the most important qualities of this book also underlies in it's perfectly selected musical examples provided quite often within the text that are also including new technics used in the "new" music. From this point of view alone, it would be evaluated as the second book after Erhard Karkoschka's "Notation in New Music". Though it is mostly in charge of musicologists who are in search of a comprehensive twentieth century music source rather than composers especially focusing on compositional tools but anyway it is a must have book for both.

4 of 4 people found the following review helpful.
Fine synopsis of post-war trends in the avant garde
By Moraine Lake
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• Sales Rank: #281401 in Books
• Published on: 2015-01-06
• Released on: 2015-01-06
• Original language: English
• Number of items: 1
• Dimensions: 8.94" h x .19" w x 6.00" l, .17 pounds
• Binding: Paperback
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Innovation Management: Strategies, Implementation, and Profits, by Allan Afuah

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Innovation is the key to gaining and maintaining a competitive advantage in the business world. Using multi-functional research from economics, organizational theory, general management and marketing, and strategy literature, Innovation Management, 2/e, provides a systematic approach to the strategies and processes that underlie the financial results of innovation.
Designed to meet the increasing number of courses in innovation management, the text provides full coverage of this vitally important area of business. Drawing from his extensive professional and academic experience, Allan Afuah shows the relationship between innovation, a management function, and profitability, a financial function. He creates a framework that encompasses the basic questions of the "who, what, when, and where" of innovation, combining the latest theoretical discussion with abundant examples. In this second edition, Afuah explicitly incorporates coverage of the Internet as a technological change and offers an entirely new chapter, "Strategies for Sustaining Profits." The text takes a unique multi-functional approach that integrates the important contributions of economics, organizational theory, marketing, and finance to innovation management. This approach provides students with a full presentation of appropriate management theory and detailed coverage of practical concerns such as the role of government regulation, choosing a profit site, and the transfer of innovation. The impact of the public and international sectors is highlighted with chapters on globalization, innovation in emerging economies, and the role of government in promoting innovation. In addition to a strong analytical and theoretical foundation, the book offers many pedagogical examples. Most chapters conclude with short practice cases designed to supplement the numerous examples within each chapter. These cases are followed by a list of key terms and questions to stimulate discussion. Innovation Management, 2/e, is an ideal text for business school programs and also provides guidance for executives and managers seeking a better understanding of the value of innovation.

• Sales Rank: #151627 in Books
• Published on: 2002-06-15
• Original language: English
• Number of items: 1
• Dimensions: 6.00" h x .90" w x 9.40" l, 1.53 pounds
• Binding: Hardcover
• 400 pages

Review

"I think this book is excellent and fills a big gap in the literature as it makes a bridge between the economics literature and the management literature. It will be an extremely useful book for students everywhere." -- Chris Freeman, University of Sussex

"Afuah has written a first-rate text, which is exemplary in both its basis in academic research and its comprehensives. The breadth of subjects covered is remarkable, ranging from models of innovation to globalization. Concepts are explained clearly and illustrated with excellent examples." --Constance E. Helfat, University of Pennsylvania

"The book is a strong synthesis of the management of technology literature....It is a solid textbook that will be of great value for students of business and engineering." -- Marc H. Meyer, Walsh Research Professor, Northeastern University

"I believe there is a need for a textbook such as this, which links management of innovation to important concepts and theories in the strategy literature." --Ari Ginsberg, Professor of Management and Strategy, New York University

About the Author
Afuah teaches at the University of Michigan

Most helpful customer reviews

7 of 7 people found the following review helpful.
Suitable for everyone
By Cesare Tallarico
This book was recommended during my MBA at LUISS in Rome as the best possible reference for those who are interested in developing a thorough knowledge about Innovation and Corporate Strategy. It provides a complete overview on the subject, starting from which kind of company is more likely to innovate, how to overcome market uncertainties, what kind of human resources and network relationships you need to use, how to finance innovation and so on. The explanation is so fluid and the terminology so plain it could be easily read in a couple of days. Some useful case studies are also included. The only missing element is the strong emphasis on the IT sector. It would have been absolutely useful to include more cases on manifacturing and services companies. However, it should be considered one of the best available textbooks for Postgraduate students.

1 of 1 people found the following review helpful.
A multi-dimensional framework "for all seasons"
By Robert Morris
In this second edition, Allan Afuah develops in much greater depth many of the same concepts introduced in the previous edition (1998) but changed some of the terminology and rearranged the sequence of material while separating strategy issues from those concerning implementation and adding an entirely new chapter, "The Internet: A Case in Technological Change" (Chapter 16). He also incorporates many of the readers' reactions and suggestions generated by the earlier edition. However, he retains the same seven themes that "underpin the synthesis and intregrative framework" that can allow students of innovation "to get their minds around this increasingly important field - a framework that allows them to build on and make cause-and-effect predictions." That is again his goal in this second edition and he achieves it fully.

Opinions are mixed as to whether or not it is possible to "manage" innovation. Perhaps some of the disagreements have to do with how manage is defined. Afuah seems to be among those (I among them) who believe that it is possible to establish and then manage an environment in which innovation can flourish, and it is also possible to manage the adoption, production, marketing, sales, and distribution of products that result from innovative thinking. In this context, I am reminded of what a French romantic poet (I think it was Baudelaire) said when asked how he wrote a poem. "First, I draw a bird cage, and leave the door open. Then I wait and wait and wait. Once in a while, a bird flies through the door. Then I erase the cage."

In his introduction, Afuah poses a series of 17 questions and then answers them, devoting a separate chapter to each. Following Chapter 1, "Introduction and Overview," he organizes his material within four Parts:

I (Chapters 2-4): Fundamentals (e.g. models of innovation)
II (Chapters 5-10): Strategizing (e.g. strategies for sustaining profits)
III (Chapters 11 and 12): Implementation (e.g. of the decision to adopt)
IV (Chapters 13-17): Globalization (e.g. the role of national governments)

Several books are invaluable sources concerning brainstorming, idea generation, etc. (notably Tom Kelley's The Idea of Innovation and The Ten Faces of Innovation) and Afluah fully understands and appreciates that process. However, the seven themes that he develops throughout his narrative (discussed later in this review) indicate that his perspective includes but is not limited to such activities. He thinks in terms of an entire enterprise, one whose strategy is based on several key factors that Afluah examines in Part II. When explaining how to create a foundation for execution, Jeanne Ross Peter Weill, and David Robertson observe: "The focus needs to be higher - on [in italics] enterprise architecture [end italics], the organizing logic for core business processes and IT infrastructure reflecting the standardization and integration of a company's operating model...[Therefore] enterprise architecture boils down to these two concepts: business process integration and business process standardization. In short, enterprise architecture is not an IT issue - it's a business issue." This is also Afluah's perspective throughout his brilliant book.

With regard to the aforementioned themes, they are:

1. There is "no better practice than good theory."
2. Competitive advantage is gained and sustained through innovation.
3. Innovation is not limited to high technology.
4. Innovation usually means change and requires cross-functional involvement
5. Both strategy and its implementation are critical to successful applications of innovation.
6. Innovation entails dealing with new knowledge.
7. In its imperative to understand to apply it; once learned, it must be practiced.

Readers will also appreciate the two appendices, "Dominant Designs and Standards" and "Some Organizational Designs." They and Afuah's thoughtful responses to the 17 questions during which he develops the seven themes will provide a wealth of information and counsel but presumably he would be the first to agree that it would be a fool's errand for any of his readers to attempt to implement all of his recommendations. It remains for each reader to absorb and digest all of the material, then select only what is most relevant to her or his own organization's needs, interests, objectives, and resources. Then, when formulating a game plan, it would be wise to keep clearly in mind what Peter Drucker observed in 1963: "There is surely nothing quite so useless as doing with great efficiency what should not be done at all."

* * * * *

Those who share my high regard for this book are urged to check out Tom Kelley's aforementioned books as well as Ross, Weill, and Robertson's Enterprise Architecture As Strategy. Also Henry Chesbrough's Open Innovation, John Medina's Brain Rules, Michael Ray and Rochelle Meyers' Creativity in Business, John Maeda's The Laws of Simplicity, Michael Michalko's Cracking Creativity, and Seeing What's Next co-authored by Clayton M. Christensen, Scott D. Anthony, and Erik A. Roth, Scott D. Anthony.

0 of 3 people found the following review helpful.
Excellent Book
By Karen C. Star
I got this book for my husband's IT Management class. He read it and then we ended up selling it again.

See all 3 customer reviews...

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